Chronique d'une Ete

By 1960 the documentary had evolved with new sound equipment and lighter cameras. In a direct line from the ideas of Flaherty and Vertov, Canadian filmmakers as Michel Brault had made significant shorts as \\\\\\\"Les raquetteurs\\\\\\\" (1959), while in the United States Robert Drew created his seminal work, \\\\\\\"Primary\\\\\\\" (1960.) All this activity helped the launching of \\\\\\\"cin������©ma v������©rit������©\\\\\\\" in France, with this film manifesto made by anthropologist Jean Rouch and sociologist Edgar Morin. With a \\\\\\\"cam������©ra vivant\\\\\\\" (living camera) and the question \\\\\\\"Are you happy?\\\\\\\", they went out to the streets of Paris to make a survey, showing passages in the life of students, workers and migrants (including Joris Ivens\\\\\\\' future wife), with a short escapade to the St. Tropez beach, and a final confrontation of the creators and subjects with the footage and the idea of constructing objective pieces of reality on film. Rouch and American Frederick Wiseman believed in a kind of documentary open to emotional spaces and fantasy (as opposed, for example, to Richard Leacock\\\\\\\'s more naturalistic approach), and eventually changed the tone of their works, while the movement finally identified with the concept of \\\\\\\"direct cin������©ma\\\\\\\", developed by Canadians and American filmmakers.

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blrock69 (2008-05-12)

Thanks! Great Doc I found these English subs were in sync

derive (2008-11-10)

thanks for this terrific ul.
and thanks to blrock69 for the subs.

ncantor (2010-02-10)

Thanks, I downloaded this over a year ago from this torrent. Lost that copy. Glad to see the torrent is still alive on TPB, often rarer items like this don't last.
Thanks, to you and everyone who has kept it alive all this time, since March 2008!