Black Sabbath - Past Lives (Deluxe edition 2CD 2002) - Metal

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[05:32] ÛÛÛÛ²²Ý Þ²²ÛÛÛÛ [08] Behind The Wall Of Sleep [05:03] ÛÛÛÛ²²Ý Þ²²ÛÛÛÛ [09] Fairies Wear Boots [06:40] ÛÛÛÛ²²Ý Þ²²ÛÛÛÝ ÞÛÛÛ²²Ý Þ²²ÛÛÛ NOTES...: ÛÛÛ²²Ý Þ²ÛÛÛÝ ÞÛÛÛ²Ý Þ²ÛÛÛÝ There are two versions of this album. The standard ÞÛÛÛ²Ý Þ²ÛÛÛÝ version contains just the music. This "Limited ÞÛÛÛ²Ý Þ²ÛÛÛÝ Edition" version also includes special Digipak ÞÛÛÛ²Ý Þ²ÛÛÛÝ packaging, a fold up poster, and a Black Sabbath ÞÛÛÛ²Ý Þ²ÛÛÛÝ guitar pick. ÞÛÛÛ²Ý Þ²ÛÛÛÝ ÞÛÛÛ²Ý Þ²ÛÛÛÝ Disc One: tracks 01-05 were recorded at the Hardrock ÞÛÛÛ²Ý Þ²ÛÛÛÝ in Manchester, England on Mar 11, 73; ÞÛÛÛ²Ý Þ²ÛÛÛÝ tracks 06-09 were recorded at the Rainbow Theatre in ÞÛÛÛ²Ý Þ²ÛÛÛÝ London, England on Mar 16, 73. ÞÛÛÛ²Ý Þ²ÛÛÛÝ Disc Two: tracks 01, 05-09 were recorded at the ÞÛÛÛ²Ý Þ²ÛÛÛÝ Olympia Theatre in Paris, France on Dec 20, 70; ÞÛÛÛ²Ý Þ²ÛÛÛÝ tracks 02-04 were recorded at the Asbury Park ÞÛÛÛ²Ý Þ²ÛÛÛÝ Convention Hall in Asbury Park, NJ on Aug 6, 75. ÞÛÛÛ²Ý Þ²ÛÛÛÝ ÞÛÛÛ²Ý Þ²ÛÛÛÝ Originally released in 1980 under the name Live at ÞÛÛÛ²Ý Þ²ÛÛÛÝ Last, this infamous live disc has never been heard in ÞÛÛÛ²Ý Þ²ÛÛÛÝ its entirety until its 2002 reissue. Where the ÞÛÛÛ²Ý Þ²ÛÛÛÝ original album suffered from flat sound and an abrupt ÞÛÛÛ²Ý Þ²ÛÛÛÝ ending, this has been remastered and remixed to give ÞÛÛÛ²Ý Þ²ÛÛÛÝ it the spacy vibe and airy sound it needs. Recorded at ÞÛÛÛ²Ý Þ²ÛÛÛÝ several different points in their career, this live ÞÛÛÛ²Ý Þ²ÛÛÛÝ disc is a psychedelic journey into the primal sludge ÞÛÛÛ²Ý Þ²ÛÛÛÝ of early heavy metal, warts and all. Wrong notes, ÞÛÛÛ²Ý Þ²ÛÛÛÝ tempo mistakes, meandering jams, and a stoned Ozzy ÞÛÛÛ²Ý Þ²ÛÛÛÝ Osbourne (he proudly admits this fact) may seem like ÞÛÛÛ²Ý Þ²ÛÛÛÝ detriments, but when paired with music this ugly it ÞÛÛÛ²Ý Þ²ÛÛÛÝ gives it an endearing urgency that keeps the album ÞÛÛÛ²Ý Þ²ÛÛÛÝ interesting. Black Sabbath plows through these songs ÞÛÛÛ²Ý Þ²ÛÛÛÝ like a tank, offering up a wall of grunge that has ÞÛÛÛ²Ý Þ²ÛÛÛÝ more in common with the Stooges than the technical ÞÛÛÛ²Ý Þ²ÛÛÛÝ hard rock being offered up by the band's ÞÛÛÛ²Ý Þ²ÛÛÛÝ contemporaries at the time. Tony Iommi is the star ÞÛÛÛ²Ý Þ²ÛÛÛÝ here, delivering blistering guitar work that is ÞÛÛÛ²Ý Þ²ÛÛÛÝ drenched in fuzz and sharp as a sword. Osbourne's ÞÛÛÛ²Ý Þ²ÛÛÛÝ performance is also quite respectable, channeling a ÞÛÛÛ²Ý Þ²ÛÛÛÝ venomous stream of angst and rage that seems ÞÛÛÛ²Ý Þ²ÛÛÛÝ uncharacteristic when compared to his solo career. But ÞÛÛÛ²Ý Þ²ÛÛÛÝ his attitude is a key element, pushing him to steer ÞÛÛÛ²Ý Þ²ÛÛÛÝ his voice way out of his given range out of sheer ÞÛÛÛ²Ý Þ²ÛÛÛÝ passion during several key moments. A terrible ÞÛÛÛ²Ý Þ²ÛÛÛÝ rendition of "Megalomania" (hindered by Ozzy's ÞÛÛÛ²Ý Þ²ÛÛÛÝ inability to stay in tune) is a jarring low point in ÞÛÛÛ²Ý Þ²ÛÛÛÝ an otherwise strong set, but overall this is an ÞÛÛÛ²Ý Þ²ÛÛÛÝ inspired performance that shows what an original and ÞÛÛÛ²Ý Þ²ÛÛÛÝ smart group Sabbath was at the time. Constantly ÞÛÛÛ²Ý Þ²ÛÛÛÝ growing and shaping itself through the first half of ÞÛÛÛ²Ý Þ²ÛÛÛÝ the '70s, this may be one of the last documents of ÞÛÛÛ²Ý Þ²ÛÛÛÝ Sabbath at its peak before the group began its ÞÛÛÛ²Ý Þ²ÛÛÛÝ downward spiral. ÞÛÛÛ²Ý Þ²ÛÛÛÝ Taken from allmusic.com. ÞÛÛÛ²Ý Þ²ÛÛÛÝ ÞÛÛÛ²Ý Þ²ÛÛÛÝ If you like this CD, buy it. ÞÛÛÛ²Ý Þ²ÛÛÛÝ ÞÛÛÛ²Ý Þ²ÛÛÛÝ ÞÛÛÛ²Ý Þ²ÛÛÛÝ ÞÛÛÛ²Ý Þ²ÛÛÛÝ ÞÛÛÛ²Ý Þ²ÛÛÛÝ ÞÛÛÛ²Ý Þ²ÛÛÛÝ ÜÜÜÜÜ ÜÜÜÜÜ ÞÛÛÛ²Ý Þ²ÛÛÛÝ ²²²²²²²Ü ܲ²²²²²² ÞÛÛÛ²Ý Þ²ÛÛÛÝ ²²²²²²Û²²²Ü ܲ²²Û²²²²²² ÞÛÛÛ²Ý Þ²ÛÛÛÝ ²²²ÛÛÛÛÛÛ²²²Ü ܲ²²ÛÛÛÛÛÛ²²² ÞÛÛÛ²Ý Þ²ÛÛÛÝ ²²²ÛÛß ßÛÛ²² ²²ÛÛß ßÛÛ²²² ÞÛÛÛ²Ý Þ²ÛÛÛÝ ²²ÛÛÝ ßÛ²Ý Þ²Ûß ÞÛÛ²² ÞÛÛÛ²Ý Þ²ÛÛÛÝ ²²ÛÛÛ Þ²Ý Þ²Ý ÛÛÛ²² ÞÛÛÛ²Ý Þ²²ÛÛÛÜ ²ÛÛÛÛ ÞÝ ÞÝ ÛÛÛÛ² ÜÛÛÛ²²Ý ²²²ÛÛÛÛÜÜ ÜÛÛÛÛ²ß Ý Þ ß²ÛÛÛÛÜ ÜÜÛÛÛÛ²²² Þ²²²ÛÛÛÛÛÛÛÛÛÛÛ²² ° ° ²²ÛÛÛÛÛÛÛÛÛÛÛ²²²Ý ß²²²²ÛÛÛ²²²²²²² ° ° ²²²²²²²ÛÛÛ²²²²ß

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